Artist spotlight: megan marino


Sunday, November 11 at 2 pm


WHERE: OperaDelaware Studios, 4 S. Poplar St., Wilmington, DE

TICKETS: $25; general admission

BOX OFFICE 302-442-7807


Acclaimed mezzo-soprano Megan Marino (La Cenerentola, 2017) returns to OperaDelaware for an intimate recital featuring repertoire ranging from the Baroque to the American Standard. Featuring pianist and frequent collaborator, John Arida.

Ms. Marino appears courtesy of The Metropolitan Opera.





American-Italian mezzo-soprano Megan Marino is a genre-adventurous, “gifted actress with a strong, appealing voice graced by a rich lower register” [Opera News]. Recent appearances include the Metropolitan Opera, Opéra national de Paris, Lyric Opera of Chicago, San Francisco Opera, Santa Fe Opera, Spoleto Festival USA and Caramoor Music Festival. In addition to her recital with OperaDelaware, Ms. Marino's engagements for the 2018/19 season include appearances in Roméo et Juliette (The Utah Opera), Suor Angelica (The Metropolitan Opera), Iolanta (The Metropolitan Opera), and Falstaff (The Dallas Opera).

Ms. Marino made her Metropolitan Opera debut as a Voice of an Unborn Child in Die Frau ohne Schatten and has also joined the company for its productions of Rusalka, Don Carlo, and Werther. She joined the Spoleto Festival U.S.A. for Varvara in Káťa Kabanová, Green Mountain Opera and Baltimore Concert Opera for Angelina in La Cenerentola, Opera Iowa for Hänsel in Hänsel und Gretel, Opera Fort Collins and Saint Petersburgh Opera for Rosina in Il barbiere di Siviglia, and the Fire Island Opera Festival for the Third Schauspieler in Weill’s Der Protagonist. She sang Miriam and Ruth in the American premiere of Weill’s The Road of Promise with the Collegiate Chorale at Carnegie Hall, which will later be released as a commercial recording, and joined the rosters of the Lyric Opera of Chicago for Anna Bolena and San Francisco Opera for Partenope.

Marino is a winner of The William Matheus Sullivan Musical Foundation Award as well as the Shaulis/Gasperec Emerging Singers Grant from Opera Index. She is also a 2015 second prize winner in both the Gerda Lissner International Vocal Competition and the Opera Birmingham Vocal Competition, at which she also won the audience favorite award, as well as an encouragement award recipient from the George London Foundation competition. In 2014, she won first place winner of both the Marcello Giordani Foundation International Vocal Competition and Oratorio Society of New York’s Lyndon Woodside Oratorio Solo Competition. Following the summer of 2013 spent at Santa Fe Opera, Ms. Marino received The Katharine M. Mayer Award from the company. She is a previous second place winner of the Forth Worth Opera McCammon Competition and third place winner of the Lotte Lenya Competition and the Shreveport Opera Singer of the Year Competition. She has previously been a regional finalist of the Metropolitan Opera National Council Auditions and has placed multiple times at the Denver Lyric Opera Guild Competition. She is also the recipient of a career grant from Allied Arts. She holds a Bachelor of Music degree from the University of Southern Maine.

Biography courtesy of



John Arida is a pianist and coach based in New York City, specializing in both opera and art song. Arida also serves on the music staff at the Juilliard School and Central City Opera, as well as the Prototype Festival. He has been on the music staff at the Castleton Festival, Boston Youth Symphony Orchestra and held a season-long engagement as Emerging Artist Pianist with Virginia Opera. Arida holds a master’s degree in collaborative piano from Juilliard as well as a bachelor’s degree in vocal performance from SUNY Purchase.

La Cenerentola photos by Joe del Tufo/ Moonloop Photography.


Mezzo-soprano Megan Marino is the main attraction as Angelina and she does not disappoint. Her facility with the coloratura lines was effortless, her acting totally natural and her enthusiasm and energy unflagging.
— WHYY Newsworks
I was even more delighted with the Angelina (Cenerentola, or Cinderella) of Megan Marino. She believably gave us Angelina’s despair at her lot and and her love for Prince Ramiro disguised as a servant. With a pleasing sound throughout her voice and very clear coloratura singing, she was fully the equal of this demanding role.

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This organization is supported, in part, by a grant from the Delaware Division of the Arts, a state agency, in partnership with the National Endowment for the Arts. The Division promotes Delaware arts events on