Giordano’s Andrea chénier

Performances at The Grand Opera House
Sunday, May 10 | 2 PM
Wednesday, May 13 | 7:30 PM*
Friday, May 15 | 7:30 PM

*added performance for 2026 OPERA America Conference

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Starring Dane Suarez as Andrea Chénier, Toni Marie Palmertree as Maddalena de Coigny, and Gerard Moon as Carlo Gérard.

A poet. A revolution. A love worth dying for.

In May 2026, OperaDelaware proudly presents Giordano’s sweeping masterpiece Andrea Chénier—an explosive tale of passion, political upheaval, and poetic courage set during the final, fiery days of the French Revolution.

Inspired by the life of real-life poet André Chénier, this gripping work of Italian verismo opera follows an artist who dares to challenge that status quo. As the world around him crumbles into chaos and bloodshed, Chénier’s words become weapons—elevating ideals of liberty and love above fear and oppression. But when he falls for the noblewoman Maddalena and crosses paths with the vengeful revolutionary Gérard, a tragic triangle forms with fate hanging in the balance.

With its sumptuous melodies, lush orchestration, and unforgettable arias, Andrea Chénier is a musical and emotional tour de force. From the soaring lyricism of “Come un bel dì di maggio” to the searing final duet, Giordano’s score pulses with human drama and revolutionary fire. This is verismo at its grandest and most passionate—where art meets action, and the personal becomes political.

Staged with a full orchestra, commanding chorus, and the magnificent voices of the OperaDelaware Company Artists, this production will ignite the stage of Wilmington’s Grand Opera House. Don’t miss the rare opportunity to experience this lavish and rarely performed gem, brought to blazing life in all its glory.

At the center stands Chénier himself—a fearless artist who refuses to be silenced. In an era where truth is dangerous and freedom demands sacrifice, his bold defiance echoes across centuries.

This May, join us for a night of romance, high-stakes drama, and music that will shake you to your core.

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Meet the Production Team

Stage Director - Octavio Cardenas
Conductor - Anthony Barrese
Chorus Master - George Hemcher
Rehearsal Pianist - Julian Grabarek
Technical Director - Bob Parker
Scenic Designer - John Raley
Lighting Designer - Tláloc López-Watermann
Associate Lighting Designer - Elijah Thomas
Props Coordinator/Production Assistant - Chelsea Dean

Synopsis

  • Spring, 1789, at the Château de Coigny near Paris. Gérard, servant to the Countess de Coigny, mocks the aristocracy and their manners. Observing his father struggle with a piece of furniture, Gérard laments the suffering of all servants under their arrogant masters (“Son sessant’anni”). Maddalena, the Countess’s daughter, appears and Gérard realizes how much he loves her. Busy with preparations for a soirée that evening, the Countess scolds Maddalena for not yet being dressed. Maddalena complains to her servant, Bersi, about the discomfort of the current fashions and then runs out to change. Among the guests to arrive is Fléville, a novelist, who has brought with him the rising poet Andrea Chénier. After the Abbé relates the latest depressing news from Paris, Fléville enlivens the party with a pastorale he has written for the occasion. Maddalena then teases a reluctant Chénier into improvising a poem (“Un dì all’azzurro spazio”). Chénier scandalizes the guests with his criticism of the indifference of the clergy and the aristocracy to the suffering of the impoverished. The guests’ gavotte is interrupted by Gérard, who brings in a group of starving peasants. The Countess orders Gérard out along with the rabble. The guests are then invited to return to the gavotte, but they depart instead, and the Countess is left alone.

  • Spring, 1794, along the Cours-la-Reine in Paris. The Revolution has begun, and the Reign of Terror is in full force. To fend off the Incredibile, a spy, Bersi pretends to be a daughter of the Revolution (“Temer? Perchè?”). The Incredibile is not deceived and notices that Chénier is waiting for someone in the Café Hottot. Chénier is joined by his friend Roucher, who has brought a passport so that Chénier may leave the country safely. Chénier says his destiny is to remain to find the love he has never had and to discover who has been writing him anonymous letters (“Credo a una possanza arcana”). A procession of dignitaries led by Gérard interrupts their conversation. The Incredibile takes Gérard aside to ask about the woman he is looking for. Gérard describes Maddalena to him. Meanwhile, Bersi asks Chénier to wait at the café for someone who wants to meet him. Maddalena appears and reveals to Chénier that it was she who wrote the letters. They pledge to love each other until death (“Ora soave”). The Incredibile, having seen Chénier and Maddalena together, brings Gérard to the scene. Gérard is wounded as Chénier defends Maddalena. Gérard, however, recognizes Chénier and sends him away, asking him to protect Maddalena. When the gathering crowd asks who wounded Gérard, he answers that his assailant was unknown.

  • July 24, 1794, in the courtroom of the Revolutionary Tribunal. Mathieu, a revolutionary, is unsuccessfully urging the crowd to donate to the cause. Gérard, recovered from his wound, makes an impassioned plea for the motherland. Madelon, an old woman who has already lost her son and a grandson in the war, offers her last grandson as a soldier (“Son la vecchia Madelon”). As the crowd disperses, the Incredibile appears. If Gérard wants to have Maddalena, the Incredibile insists, he must first arrest her lover, Chénier. As Gérard writes the accusation, he is filled with remorse at the bloodshed he has caused in his rise to power. He concedes that his new master is passion (“Nemico della patria”). No sooner does he hand Chénier’s indictment to the court clerk than Maddalena appears. Gérard admits that he has laid a trap for her and that he loves her. Maddalena offers herself to Gérard if he will save Chénier. She has been a fugitive, her mother was killed in the Revolution and their home was burned (“La mamma morta”). Touched by her love for Chénier, Gérard promises to try to save him. The Tribunal convenes with an unruly mob in attendance. Chénier pleads for his life (“Sì, fui soldato”) and Gérard admits to the judges that the accusation he wrote was false. Nevertheless, Chénier is sentenced to death and taken away.

  • July 25, 1794, in the ruins of Paris’ St. Lazare prison. Chénier reads a final poem (“Come un bel dì di maggio”) to his friend Roucher, who then bids him a final farewell. Gérard and Maddalena are met by the jailer, Schmidt, whom Maddalena bribes with some jewels to allow her to take the place of another young woman sentenced to death. Gérard leaves to once again plead Chénier’s case with Robespierre. Maddalena tells Chénier she is there to die with him. As the day dawns, they share one final moment together (“Vicino a te”) before being taken to the guillotine.